A sculptor who traded chisels for fire.

“Pyrography allows no eraser. Every line is a decision you live with — which is exactly what makes it honest.”

EA is the artist behind Studio 21/7. She trained in fine art at the Indus Valley School of Art and Architecture in Karachi, specialising in sculpture — a discipline that begins not with the image but with the material: its weight, its grain, its resistance.

That training never left. Where most pyrography is drawn onto prepared boards, EA works on live-edge, untreated slabs — wood that keeps its bark line, its knots, its seams and its silhouette. Each piece begins with the slab itself: its form suggests the composition, and the burn follows. The result sits somewhere between drawing and sculpture — objects that stand, lean and hold a room rather than hang flat against it.

Her instrument is a pyrography pen — a heated nib in place of ink. Line weight and shading come from temperature and the speed of the hand; tone is scorched into the surface in passes, from pale caramel to near-black carbon. There is no paint and no pigment anywhere in the work. Everything you see is wood and burn.

Her current body of work lives underwater: sirens mid-song, reefs becoming faces, hands snared in kelp, deep-sea machines claimed by tentacles. Fire, used to draw the sea.

See the work→