Original pyrography · Works on untreated wood
Wood. Fire. Art.
Every Studio 21/7 piece is drawn in fire — burned freehand with a heated pen onto live-edge, untreated wood, one line at a time. No paint, no pigment: only heat, patience and grain.
The process
Fire as a drawing instrument.
Pyrography allows no eraser and no second chances. Tone is built the way a kiln builds colour — with temperature, pressure and time. Each mark is permanent the moment it is made.
Sketch
The composition is drawn in light graphite directly onto raw, untreated wood — each live-edge slab chosen so its form and grain work with the subject, never against it.
Burn
A heated pyrography pen replaces ink. Line weight and shading come from nib temperature and the speed of the hand — every tone scorched into the surface, one pass at a time.
Detail & tone
Final passes deepen shadows and sharpen edges. What remains is only wood and burn — no paint, no pigment, nothing between the fire and the grain.
Commissions
Have something burned for you.
Every commission starts with a conversation — there is no obligation to proceed.