Original pyrography · Works on untreated wood
Wood. Fire. Art.
Every Studio 21/7 piece is drawn in fire — pyrography pens for the line, open flame for tone and scorched edges — freehand on live-edge, untreated wood. No paint, no pigment: only heat, patience and grain.
The process
Fire as a drawing instrument.
Pyrography allows no eraser and no second chances. Tone is built the way a kiln builds colour — with temperature, pressure and time. Each mark is permanent the moment it is made.
Sketch
The composition is drawn in light graphite directly onto raw, untreated wood — often discarded slabs, reclaimed for the work. Grain, knots and imperfections are embraced: the material itself guides the final image.
Burn
Pyrography pens replace ink for line and detail; open flame lays in broad tone and scorches the edges. Depth comes from temperature and the speed of the hand — one pass at a time.
Detail & tone
Final passes deepen shadows and sharpen edges. What remains is only wood and burn — no paint, no pigment, nothing between the fire and the grain.
Commissions
Have something burned for you.
Every commission starts with a conversation — there is no obligation to proceed.